Entertainment

Samantha Jones seemed to have it all — except a happy ending. For six seasons and two movies, Kim Cattrall put the “sex” in “Sex and the City,” while adding a dose of glamour and surprising relatability to boot.

Jon Hamm has had plenty of memorable moments in his career, particularly during the seven seasons he played charismatic ad executive Don Draper on Mad Men.

Jimmy Carter’s grandson is unlocking its mysteries.

Nearly 14 years after his death, his provocative humor has been embraced by people across the political spectrum. What happens when comedy outlasts the era it was made for?

This article contains spoilers for Fantastic Beasts: The Secrets of Dumbledore. The final showdown in Fantastic Beasts: The Secrets of Dumbledore is supposed to be epic.

Baz Luhrmann brings his trademark truckload of spangly glamour and sugar-rush showbiz to the story of Elvis Presley with Austin Butler as the King and Tom Hanks as his manipulative manager, Colonel Tom Parker.

From ‘My Big Fat Greek Wedding’ to ‘Forgetting Sarah Marshall’ to ‘Sleepless in Seattle,’ here’s the best of an endlessly watchable genre.

One day, deep into production on David Lynch’s 2006 film, Inland Empire, a producer approached the actor Laura Dern in a panic, trying to parse a strange request from the director.

There is one rule behind every movie poster you have ever seen. And it’s not: “Superheroes must stare determinedly into the distance.” It is this: the billing block, the list of cast and crew at the bottom, must be in a typeface that is at least 15% of the size of the film title’s lettering.

Julia Roberts is one of those few actors who have achieved a stardom that never really fades: She’s always up there in the pop-culture firmament, flashing that famous smile.

GQ goes inside the minds of the show’s creators—and gets a rare interview with Matt Groening—to explore our most influential sitcom’s enduring power.

So much music exists to provoke bold emotions—ecstasy, amazement, deep blues. Other music conjures pastel feelings, soft and in-between. For example, much of Harry Styles’s third album, Harry’s House, imparts the mild joy that one might get from completing a list of chores.

Korean director Park Chan-wook was once the master of gonzo revenge violence but with the adaptation of the Sarah Waters novel The Handmaiden in 2016 he pivoted with flair to the elegantly designed suspense thriller.

Even as the girl group topped the charts, it was dismissed as a pop confection. Twenty-five years later, its legacy is still being written.

There’s a reason why it’s difficult to describe a meme out loud: Any given unit of these digital artifacts, composed of words and pictures in varying grades of conventional aesthetic value, is almost always so heavily enshrined with niche context and references that it resists verbal translation